Period Images is a wonderful website. How did you come up
with the idea for creating a website like Period Images with the great models
wearing those wonderful period costumes?
It
started with a frienship and a dilemma. I had written my first Regency novel
and I could not find images that even remotely fit my idea of how my hero and
heroine should look like, and most importantly, how their manner of dress
should reflect the elegance of that era. This sentiment was shared by a veteran
author I’ve never met in person yet has become a good friend and mentor of
mine,—Marie Higgins. My friendship with Marie opened my eyes to the struggles
of being an author; on what it was like to be in the shoes of a writer who must
make every penny count. Cost of production is a reality one must face when
crafting a book. The cover, most
especially, is a substantial concern. As we emailed back and forth on the
seeming lack of acceptable images, I learned that other historical writers—not
just the ones in my genre, have the same predicament. Of course, one can have a
generic image modified and manipulated to fit a particular period, but not
everyone could afford to shell out the amount of money required to make those
kinds of changes. As a result, authors were forced to use whatever was within
their budget, and settle with an image that most probably was not the one they
had envisioned to grace their covers. For a Product Designer like me, this
dilemma was something to ponder. My Creative team designs wardrobe for private
clients and the entertainment industry. We have an extensive network of
suppliers, fellow designers, and models in Los Angeles. I know my team and I,
are well-equipped to solve this problem and do it in the way it should be done—with
care, attention to detail, the right models, and proper Period costuming. Thus,
with Marie’s help, I acquired more information on what her author friends were specifically
looking for. As soon as the wish-list arrived in my inbox, the challenge began,––and
a project was born.
Who creates these amazing costumes? Could you tell us a bit
about your staff and what they do?
It
takes a village of skilled staff to create Period Costumes. My chief Wardrobe
Specialist, Arleen Brown, researches the attires and proposes the concept to me.
Upon approval, we do Color Mastering, sourcing and fabric selection. Then, the
materials go to one of my top designers,
Rosa Candelario, who has extensive experience in film costuming, and Marcie
Hernandez, my design consultant, to execute the attires. Once the basic
‘shells’ are submitted, Arleen goes back to me to consult with the right
embellishments and trims. Upon approval, the shells go to one of Arleen’s
assistants to finish the designs. (That is, if Arleen will willingly let them
finish it. She tends to get “attached” to the costumes, LOL) Then, all that is
left is assembly and fitting–—which for some perverted reason, I always become
the Guinea pig.
Sheri McGathy...I think I want this pic next!!! |
If authors / cover artists are looking for models in period
clothing and with props? For example: A girl in period clothing,
perhaps dressed in a winter coat/cape, warm bonnet, muffler, sitting on a bench
or box, lacing up her skates. Is Period Images considering staged poses with no
backdrops?
Yes!
In fact we have just released a set of images in a garden setting and other
props. As long as the requested props or wardrobe are readily available, this
should not be a problem.
Sometimes cover artists find the perfect look in a model,
but maybe they are wearing the wrong clothes. Have you considered creating a
“clothes closet” – a series of shots of just the costumes laid out or hung up
at various angles so the cover designer can change the models clothes…sort of
like paper dolls?
For
this one, because we have so many images of our models in costumes in different
poses already, I think it would be easier to just trade the models’ heads,
instead of trading the attires. But if you must absolutely have the dress on a
hanger or whatever, it’s no biggie—we can take a quick shot for you. In fact, we
just did that for someone who was looking to extend a dress so that it
encompasses the front and back cover of a book.
Before starting Period Images, did you have friends who were
models? How do you go about finding your models? What, to you and your staff,
is the “perfect,” model?
Yes.
Because we design very high end events, it is common to meet models. We knew
quite a few and I was friends with the owner of a model staffing agency. On how
we find our models––it’s weird, because most of the time, they find us! Jax
Turyna, who is a well-known cover model and a part of P.I. staff, found me
before I found her! I almost never have to do casting calls unless it’s
crucial, or I am looking for a very specific look. Most of our models are
referrals from our current models. Authors and Cover Artists also send a bunch
our way to check out.
The
perfect model for me is someone who is bankable. In other words, one who is
psychologically matured, professional, industrious, and goes out of his way to
promote his work. Someone who is reliable and will not do things that would be
detrimental to his carreer or the companies he represents. I like to invest in
people who I know will deliver results, and will be an asset not only to my
company, but also to my clients.
Briefly describe a normal photo shoot from start to finish.
The
crew normally comes in an hour before the shoot. Wardrobe crew goes into a
quick meeting on which attires will be worn by which model on what shoot. MUAs
(Make-up Artists) and Hair Stylist go to their designated areas to prep their
stuff. Then, I do a quick briefing for everyone on the shoot schedule, models’
looks, hair, attires, and how much time is alotted for MU and Wardrobe changes.
The
first batch of models come in 45 minutes before the shoot. They go into
make-up, hair, and then wardrobe. I brief them with the script for the
Exclusive shoots we are doing. Photographer comes in a half hour before shoot
starts and begins prepping the equipment.
As
the shoot progresses, more models start coming in and the same routine takes
place. The photographer and I do several consults during the day to make sure
we are getting the right shots and we’re happy with the results. I also check
the models’ looks several times to make sure their appearance is right for the
type of shoot we are doing. During the actual shoot, two assistants monitor the
hair, make-up and wardrobe, and do touch-ups as needed.
At
the end of the shoot, everyone usually hangs around to talk, wind down, and
eat.
Do you have a memorable moment?
I
have several, but I assume you’re talking about my experience with Period
Images. It was the night after our last big shoot in December. After everyone
had left and I was all alone, I sat in the dark, staring at my computer screen,
at the page where some of the book covers with our images where showcased. As I
browsed through them one by one, I felt a sense of accomplishment—not just for
me, but for all the people who worked hard to make these images possible, for
all the authors who had mentored and supported us along the way, and the cover
artists who had taken our images and turned them into works of art. Once again,
I acknowledged and re-affirmed, that
there are no coincidences. Marie and I met for a reason, and our friendship had
a purpose. And for all it’s worth, everything worked out for the better good.
What other plans do you have in the works?
Top
secret for now—we love surprises, lol
So, would you care to tell us a little about you away from
Period Images?
As
a person, I am funny, a foodie, and I understand everything that has got to do
with design, except for when it comes to dressing myself. When I am clueless
about something, I am never embarassed to admit it and ask for directions. I
don’t care about popularity; what I do care about is genuine friendships. Oh,
and I love cats!
If you could have one free do over in life with no
repercussions, what would that be?
I
would write and tell more stories.
THANK YOU PERIOD IMAGES for letting me interview you!! I have been VERY happy with the pictures I've found for my covers. I have had a bunch of great covers (thank you Sheri McGathy / cover artist) and I just can't help but show them off. :) Okay, so these two are my favorites, I think. Now I just need to write their stories...
You can find them at www.periodimages.com
9 comments:
Thank you for interviewing me, Marie! :)
Great interview!!! Great company and Amazing people!!!!!! I am blessed to have the opportunity to work with them.
VJ and Jax, this has been a lot of fun! I really can't wait for the day that we meet in person. And it WILL happen!!
Very good and hey, your blog works!!! I hope someday to meet all of you! VJ thanks for taking the time to do this! Sheri McGathy
I really love that you're doing correct period costumes. It's so hard to find, even for publishing companies.
Very nice! Love the last pix - looks suspiciously like a Roman cover - I like that!!!!! Period correct is so hard to find & wonderful to hear they do it!
What a fascinating interview! It is so interesting to discover everything that goes into making a great cover. And what a great job to have! Hard work of course, finding the right costumes and the right models and the right settings, but I imagine when it all comes together it is completely worth it!
Interesting interview! I'd like to find a drawing or picture of the following that came to me in a "dream" as described on p.4 of my 1st adult paranormal-romance series "Immortal Relations" on Amazon: "Seeing her, dressed like a high fashion model in a light blue, lacy, scalloped, and layered, yet shape-hugging, haut-couture, dress, I gasped; My God she was stunningly beautiful!" Any chance you've run across such a picture or drawing?
Wow, these are gorgeous. Interesting interview.
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